Randy Wong, CFRE, Ed.M, is an arts administrator, professional musician, published writer, and music educator. Born and raised in Honolulu, Hawaii, Mr. Wong was appointed Executive Director of Hawaii Youth Symphony in 2012, and is its first alumnus to serve in that capacity.
As Hawaii Youth Symphony’s executive director, Mr. Wong oversees all strategic and administrative aspects of the organization, a 501(c)(3) not-for-profit. His major accomplishments with HYS include: production of its 50th Anniversary season, a Na Hoku Hanohano nomination for Instrumental Album of the Year (The Golden Age of Waikiki); multiple collaborations with the Hawaii Symphony Orchestra and Hawaii Public Radio; and crafting of the HYS Strategic Vision and Strategic Plan.
Mr. Wong was one of nine executive directors and senior administrators to complete the League of American Orchestras’ 2016-2017 Emerging Leaders Program. Participants were selected through a competitive application process based on their leadership experience and growth potential; their adaptive capabilities and collaborative skills; their diversity in experience and perspectives; their passion for and commitment to orchestras; and their potential to make a difference and influence the field in the years ahead. Subsequently, Mr. Wong was elected to the board of the League’s Youth Orchestra Division (serving on its executive committee), and represented the League at the American Express Leadership Academy.
He is one of just two dozen CFREs (Certified Fund-Raising Executives) in the State of Hawaii, and is an active member of the Association for Fundraising Professionals. In 2017, he completed the Executive Program for Nonprofit Leaders at the Stanford Graduate School of Business.
Mr. Wong also serves on the Music-in-Education faculty at New England Conservatory.
Mr. Wong returned to Hawaii after living in Boston, where previously, he directed professional development, grants & community partnerships for the Music-in-Education National Consortium (MIENC). As Researcher for the Center for Music and Arts in Education, Wong contributed research in music learning & cognition, music-language literacy, pre-professional teacher training, technology in education, and professional development to programs by Chicago Arts Partnerships in Education, San Francisco Symphony Keeping Score, Metropolitan Opera Guild, and others. He was also Associate Editor of the Journal for Music-in-Education. As Information Architect for the MIENC, Wong directed the development of an online Digital Portfolio System, a portfolio documentation and assessment tool that has since been used in school districts and colleges nationwide.
Owing to his broad range of experience, Mr. Wong has been cited in Amy Nathan’s books, Young Musician’s Survival Guide: Tips from Teens and Pros, and the follow-up, The Music Parent’s Survival Guide. He wrote the foreword to Steve Treseler’s Creativity Triggers for Musicians, has written for Teaching Artists Journal, and has served on a non-profit advice panel for Pacific Business News. He serves, in a volunteer capacity, on the Generation Listen board for Hawaii Public Radio. He has served on adjudication panels for educational programs of Carnegie Hall, the LA Phil, the Metropolitan Opera Guild, and the Hawaii State Foundation on Culture and the Arts.
Classically trained as a double bassist, Mr. Wong performs with the Hawaii Symphony Orchestra, and has attended festivals at Domaine Forget, Round Top, Tanglewood, and others. He is an AFM member of the Musicians Association of Hawaii (Local 677). He has taught general music, Solfege, violin, arranging, and double bass in community, school, private, and El Sistema settings. He is an active member of ASTA and ISB.
He also leads the exotica group The WAITIKI 7, whose recordings of ‘midcentury modern/world music have been acclaimed by outlets such as NPR, Mother Jones, and JazzTimes; and have topped CMJ and JazzWeek charts. While still a niche genre, Wong’s advocacy and championing of exotica led to profiles of his work by NPR’s Morning Edition, PRI’s Global Village, and in 2018, WHRB – Harvard Radio. The Music Foundation of Hawaii created an Exotica category in its Hawaii Music Awards, and exotica musicians have been recognized with lifetime achievement awards.
Mr. Wong’s entrepreneurial spirit has resulted in diverse, and sometimes surprising, adventures. In 2009, he performed with Brother Ah and George Clinton at an inaugural ball for President Obama. His orchestrations have been performed by civic and youth orchestras, in genres ranging from Klezmer to Hawaiian. And the Department of Defense’s Armed Forces Network profiled Wong for a public service announcement on Americans in the arts, titled America: Who We Are, now airing worldwide. In 2003, he co-founded Pass Out Records & Pass Out Music Publishing, and his music has been licensed for TV, film, Muzak, and in-flight radio.
B.M., New England Conservatory. Ed.M., Harvard University. Graduate Studies, Carnegie Mellon University. Education studies at Harvard with Howard Gardner, Steve Seidel, Jessica Hoffman Davis, and Larry Scripp. Double bass studies with Todd Seeber, Jeffrey Turner, and Cecil McBee.
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